Cline, E. (2011). Ready player one. New York: Crown Publishers.

What a romp! With tons of references to 80s culture and the historical background of videogames, Ernest Cline’s READY PLAYER ONE captures the feeling of virtual reality. Anyone who has spent time in virtual worlds as an avatar will easily envision Parzival (Wade Watts) and cheer him on his quest for Halliday’s egg through virtual and physical peril. The novel will soon be seen on the big screen, with the screenwriter for the Xmen at the helm.

Young adult readers will appreciate the theme of collaborative teamwork as Parzival’s friends outwit the corporate geeks called “the Sixers”. Some of the futuristic innovations, such as the flicksync (where a player is inside a simulation of a movie) or the simulation of specific towns and buildings may be not that far away with virtual reality applications like Oculus Rift.

Yet these same tech savvy young people may get a warning about the openness of digital life and digital footprints. When Parzival enters a high level of the game, his friends begin giving him tips for his maneuvers. He interrupts with, “How could you possibly know all this?”
“Because we can see them,” Shoto said. “Everyone logged into the OASIS right now can see them. They can see you, too.” Cline, 2011 p354

Live videofeed and live simultaneous virtual experiences are already a part of our lives. The setting for READY PLAYER ONE puts us in a future where more of life is spent in virtual space than in physical space and most people prefer it that way. The year is 2044. Only time will tell. Meanwhile, young people are rushing toward life in digital culture and some of us (even those of us with experience in virtual worlds) hope an appreciation for the beauty of this physical earth lives on. It’s enough to make me want to “go green!”